"Alan Jackson: Bio." Universal Music Group. https://www.umgnashville.com/our-artists/alan-jackson/ . Accessed 24 Oct. 2018.

Berglund, Jeff. "Blackfire's Land-Based Ethics: The Benally Family and the Protection of Shi Kéyah Hozhoni." Indigenous Pop: Native American Music from Jazz to Hip Hop. Edited by Jeff Berglund, Jan Johnson, and Kimberli Lee, U of Arizona P, 2016.

Binelli, Mark. "Incoming Country Grammar: The Battle Hymn of Toby Keith." Rolling Stone, 22 Jan. 2004, pp. 43–44.

Bordal, Christian. "Patriotic Country Music and a Divided U.S." 28 Dec. 2004. NPR: Day to Day. http://www.npr.org/templates/story/story.php?storyId=4247994 . Accessed 29 Nov. 2018.

Boulton, Andrew. "The Popular Geopolitical Wor(l)ds of Post 9/11 Country Music." Popular Music and Society, vol. 31, no. 3, 2008, pp. 373–87.

Bureau of Labor Statistics. "The Recession of 2007–2009." United States Department of Labor. February 2012. https://www.bls.gov/spotlight/2012/recession/ . Accessed 19 Nov. 2018.

Cantrell, Owen. "'To Stand Shoulder to Shoulder and Heart to Heart': Authenticity, Community, and Folk Music in the Recent Work of Bruce Springsteen." Bruce Springsteen and Popular Music: Rhetoric, Social Consciousness, and Contemporary Culture, edited by William I. Wolff, Routledge, 2018, pp. 147–60.

Chen, Boxi. "The Expression of Chineseness and Americanness in Chinese Popular Music: A Comparison of ABC Pop Stars Wang Leehom and Vanness Wu." Asian Music, vol. 43, no. 2, 2012, pp. 71–87.

Common and Adam Bradley. One Day It'll All Make Sense: A Memoir. Atria Books, 2011.

Country Music Foundation. The Bakersfield Sound: Buck Owens, Merle Haggard, and California Country. Country Music Foundation Press, 2012.

Covach, John, and Andrew Flory. What's that Sound? An Introduction to Rock and Its History, 5th edition. Norton, 2018.

Crawford, Richard. America's Musical Life. Norton, 2001.

Crawford, Richard, and Larry Hamberlin. An Introduction to America's Music. 2nd ed., Norton, 2013.

Devitt, Rachel. "Lost in Translation: Filipino Diaspora(s), Postcolonial Hip Hop, and the Problems of Keeping It Real for the 'Contentless' Black Eyed Peas." Asian Music, suppl. Popular Music in Changing Asia, vol. 39, no. 1, 2008, pp. 108–34.

Dukes, Billy. "Darryl Worley Looks Back on 9/11 and 'Have You Forgotten?' Before Tribute Concert." Taste of Country, 10 Sept. 2015. http://tasteofcountry.com/darryl-worley-have-you-forgotten-9-11/ . Accessed 29 Nov. 2018.

Dunn, Thomas R. "Playing Neoliberal Politics: Post-Racial and Post-Racist Strategies in 'Same Love.'" Communication and Critical/Cultural Studies, vol. 13, no. 3, 2016, pp. 269–86.

Fine, Jason. "The Fighter: The Life & Times of Merle Haggard." Rolling Stone, 1 Oct. 2009, pp. 56–65, 86–88, 94–96.

Franklin, Kirk. Church Boy. Thomas Nelson, 2010.

Hiatt, Brian. "393 Million Macklemore (and Ryan Lewis) Fans Can't Be Wrong." Rolling Stone, 29 Aug. 2013, pp. 42–45, 70.

Hubbs, Nadine. Rednecks, Queers, and Country Music. U of California P, 2014. 

Kajikawa, Loren. Sounding Race in Rap Songs. U of California P, 2015.

Labrador, Roderick N. "'The Rock, Rock On': Musical Autobiography as National Counter-Story." Popular Music and Society, vol. 38, no. 2, 2015, pp. 243–60.

La Chapelle, Peter. Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California. U of California P, 2007.

Malone, Bill C., and Jocelyn R. Neal. Country Music, U.S.A. 3rd ed., U of Texas P, 2010.

Nicholls, David, editor. The Cambridge History of American Music. Cambridge UP, 1998.

Martinez, Marilyn. "Strike at Jobs Program: L.A. Conservation Corps Workers Stage Sit-In, Demand Benefits and Better Pay." Los Angeles Times, 22 March 1995.

Medina, Cruz. "'(Who Discovered) America': Ozomatli and the Mestiz@ Rhetoric of Hip Hop." Alter/nativas, no. 2, 2014, pp. 1–24.

Moore, Robin, and Walter Aaron Clark, editors. Musics of Latin America. Norton, 2012.

Neal, Jocelyn R. Country Music: A Cultural and Stylistic History, 2nd edition. Oxford UP, 2019.

"O.A.R.: Just Like Paradise." https://ofarevolution.liveoar.com/biography . Accessed 17 Oct. 2018

Rich, Robert. "The Great Recession: December 2007–June 2009." Federal Reserve History, Federal Reserve Bank of Virginia. 22 Nov. 2013. https://www.federalreservehistory.org/essays/great_recession_of
_200709
. Accessed 19 Nov. 2018.

Rudder, Randy. "In Whose Name? Country Artists Speak Out on Gulf War II." Country Music Goes to War, edited by Charles K. Wolfe and James E. Akenson. UP of Kentucky, 2005, pp. 208–26.

"Run River North Sings About Immigrant Experience." NPR West: Here and Now. http://www.wbur.org/hereandnow/2014/03/05/run-river-north . Accessed 18 Oct. 2018.

Russell, Mark James. K-Pop Now! The Korean Music Revolution. Tuttle, 2014.

San Miguel, Guadalupe, Jr. Tejano Proud: Tex-Mex Music in the Twentieth Century. Texas A&M UP, 2002.

Sheppard, Anthony W. "Global Exoticism and Modernity." The Cambridge History of World Music, edited by Philip Bohlman, Cambridge UP, 2013, pp. 606–33.

Starr, Larry, and Christopher Waterman. American Popular Music: From Minstrelsy to MP3. 5th edition, Oxford UP, 2018.

Sullivan, Denise. Keep On Pushing: Black Power Music from Blues to Hip-Hop. Lawrence Hill Books, 2011.

Sullivan, James. Which Side Are You On? 20th Century American History in 100 Protest Songs. Oxford UP, 2019.

Witt, Stephen. How Music Got Free: A Story of Obsession and Invention. Penguin, 2015.

Woloshyn, Alexa. "Hearing Urban Indigeneity in Canada: Self-Determination, Community Formation, and Kinaesthetic Listening with A Tribe Called Red." American Indian Culture and Research Journal, vol. 39, no. 3, 2015, pp. 1–23.

"Yoon Mi Rae Opens up About Her Background, MFBTY, and the Current Korean Hip-Hop Scene." Adapted from Liberation, 9 April 2015. https://drunkentigerintl.com/2015/04/09/news-yoon-mirae-opens-up-about-her-background-mfbty-and-the-current-korean-hip-hop-scene/ . Accessed 29 Nov. 2018.

 

Creative Commons License
Voices Across Time is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Permissions beyond the scope of this license may be available at voices.pitt.edu/Permissions.html.